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Dante for the New Millenium
Teodolinda Barolini and H. Wayne Storey
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Title Page
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Copyright
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Contents
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Introduction
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Notes for an Introduction
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Abbreviations
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Philologies
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1 What Did the First Copies of the Comedy Look Like?
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2 Early Editorial Forms of Dante's Lyrics
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3 Material Philology, Conjectural Philology, Philology without Adjectives
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Philologies: Works Cited
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Appetites
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4 Beyond (Courtly) Dualism: Thinking about Gender in Dante's Lyrics
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5 Queering Nature, Queering Gender: Dante and Sodomy
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6 Does the Stilnovo Go to Heaven?
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7 Love for Beatrice: Transcending Contradiction in the Paradiso
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Appetites: Works Cited
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Philosophies
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8 Mysticism and Meaning in Dante's Paradiso
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9 The Heaven of the Sun: Dante between Aquinas and Bonaventure
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10 Vulgarizing Science: Vernacular Translation of Natural Philosophy
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11 The Body and the Flesh in the Purgatorio
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12 From Plurality to (Near) Unicity of Forms: Embryology in Purgatorio 25
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13 Quando amor fa sentir de la sua pace
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Philosophies: Works Cited
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Reception
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14 Virility, Nobility, and Banking: The Crossing of Discourses in the Tenzone with Forese
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15 Scatology and Obscenity in Dante
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16 On Dante and the Visual Arts
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Reception: Works Cited
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Histories
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17 Dante's Jeremiads: The Fall of Jerusalem and the Burden of the New Pharisees, the Capetians, and Florence
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18 From Francis to Solomon: Eschatology in the Sun
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19 Already and Not Yet: Dante's Existential Eschatology
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20 Dante after Dante
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Histories: Works Cited
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Rewritings
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21 Ovid and the Exul Inmeritus
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22 The Re-Formation of Marsyas in Paradiso 1
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23 Dante in England
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24 Moby-Dante?
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25 Still Here: Dante after Modernism
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Rewritings: Works Cited
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Notes on Contributors
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Index
Citable Link
Published: 2003
Publisher: Fordham University Press
- 9780823222711 (hardcover)